Jamaal's Camera Pics of Me in Action: This is a HOOT!

I didn't realize it at the time, but Jamaal was busy conducting a little photo shoot of his own while I was creating Caprice's portfolio images last Saturday.  It turns out he was sweet enough to capture a few of me in action, so I thought I'd post a few of them here for you to "enjoy"!

This first pic isn't a very high resolution image, but at least it gives you a pretty good idea what a session in Deep Ellum is like.  You can't be shy! That's for sure. Getting dressed in the back of the Tahoe is all part of the game! 

Of course, I'm on hand to tuck in all the straps, help apply the makeup, assist in wardrobe selections, and even divert the attention of passersby, if need be.  (Did I mention exposed bra straps are a HUGE pet peeve of mine?  Call me old-fashioned.  I'm a prude that way.)

If you've ever wondered what I wear on a typical photo session, this will be a good eye opener for you.  Now, IF I were shooting for a high profile commercial client, I'd be much more dressed up than what you see below.  BUT, since I knew going into this session in Deep Ellum that I'd be spending quite a bit of time flat on my back on the cement (and quite possibly sitting neck-to-neck with rubble), I chose a much more casual "I don't care if this gets ruined" get-up.  

I know I'm supposed to look professional and all (and I do make an effort), but I've ruined one too many pair of nice pants while on a session.  In fact, the jeans I'm wearing in these images had already gotten stained from a previous session on an elevated train track.  What I won't do to capture that perfect shot, huh!

Also, take a good look at my shoes.  I don't EVER wear heels on a session.  The more flat-footed I can be, the crisper and sharper my images will turn out.  It's all about keeping a steady hand and nothing beats a comfy pair of tennis shoes for getting that job done.  I'm the worst at walking in heels anyway, so why play with fire?  Besides, with tennis shoes on I'm ready to BOLT in case I have to run for my life!  Try doing that in stilettos!

What's in my camera bag?  On this shoot I started out with my 24-70 mm f/2.8.  Since it was slightly overcast, I opted for this lighter lens so I could shoot at lower shutter speeds if needed.  I quickly changed to my 70-200 mm f/2.8; however, as I found it allowed me to stay in one place to get both the close-ups and the full length shots from a safer distance. I was also able to work much more efficiently - which was important, because many times I was lying in the middle of the street.  I also keep my 50 mm f/1.4 in my bag in case I come across low light situations where the extra f-stop is crucial.  Especially around sunset, that larger f-stop buys me a little extra time.

You'll also see that each lens I use has a lens hood (or lens shade) attached to it.  This helps to prevent sun glare.  You should have one of these for each lens you own - without exception.  (Just remember to remove it if you are using your flash.)  You'll also see my white-balance card hanging around my neck.  That allows me to ensure perfect color during post-processing.  (Click on the link to learn more about this essential tool.)  

Well, that's about it (other than extra batteries, extra memory cards, and lens cleaning cloths).  Easy Peasy!

Below are two sequence collages to show you the progression of how I set up a couple of my shots last week.  Remember these two gorgeous shots of Caprice that I posted last Saturday?  Thanks to Jamaal and his trusty camera phone, you can see what these shots looked like from behind the lens and from what perspective they were created.  (Now, be honest.  Would you have EVER guessed this first image of Caprice was shot by a dumpster?)

You'll notice in both of these series of shots that I am either leaning against the fence, or leaning against the wall to steady myself.  Both hands are always on the camera and lens.  Good form is everything, right Dina?

There you have it.  Me in action!  I hope you enjoyed your sneak peak into the life of Tammy Labuda - Dallas Urban Photographer (for a day, anyway).

Enjoy your weekend, everyone.  I hope this post inspires you to see outside the box.  And, I'm pretty sure you'll never look at a trash dumpster quite the same :)

Dina's Interview and the Matilda Jane Trunk Show

I'm going to have to post part two of Dina's interview next week, folks. A friend from out of town is coming tomorrow.  Oh, the cleaning that still needs to be done...

She and I will be getting out with our cameras this weekend, so I hope to post a few "personal" pics later next week as well.

Don't forget to RSVP for the Matilda Jane trunk show at my house on Tuesday evening if you are planning on coming.  Anyone making a purchase at the trunk show will receive a free mini session.  I've also decided to do a door prize drawing.  One lucky trunk show guest will receive a free full session and an 11x14.  Check the February 9th post below for additional information.

Caprice and Jamaal (Dallas Texas Urban Photography}

I was going to post Jamaal and Caprice's session in three installments to spread them out during the course of next week.  BUT...I just couldn't make this adorable couple wait any longer.  (Be sure to scroll down to see all three posts from their session.  You might want to start at Caprice's post to get to the beginning of their "story".)

SO...instead of posting their pics in stages like I had planned, you get to see them ALL now.  AND, better yet, that frees me up later this week to post the second installment of my interview with Dina Marie instead. Whoohoo!

EVERYONE WINS!

Without further ado, here's Jamaal and Caprice!

Jamaal: Model {Dallas Urban Photography, Model Headshots}

Jamaal is Caprice's boyfriend.  He is represented by Exxcel Modeling and Talent Agency here in Dallas.  If you or someone you know is interested in getting into this creative line of work, I would be happy to work on building your portfolio and creating your head-shots for you. As you can see by Caprice and Jamaal's sneak-peaks, we have GREAT fun during these sessions!

You may have seen Jamaal recently on the Fox network show, Prison Break.  He's been on the show a couple times already, so if you are a regular viewer of that show keep your eye out for him.  

Originally, Jamaal was just along for the ride, but I begged him to let me take some pics of him as well.  Wouldn't you?  He wasn't sure if that would breach his contract or not, so he made sure to check with his agent first.  His agent agreed and is even allowing me to post a few on my website in my permanent portfolio.  It was so responsible and honorable of Jamaal to check with her first.  Thanks for making the phone call, Jamaal.

All during the shoot, Jamaal was our eyes and ears - especially after Lawrence left.  He was our night in shining armour - even blocking the wind for me while I photographed Caprice.  Such a gentleman!  Thanks, Jamaal!  I sure hope you like these photos of you as well as I do.  I'll post the pics of you and Caprice together later in the week.  

Best wishes to you in your new career.  Enjoy!  

And, Jamaal, 

Caprice was right.  You have the most amazing smile!

Caprice's Head-Shots: Deep Ellum {Dallas Urban Photography, Model Headshots}

Well, today finally came.  Caprice, Jamaal, and I headed down to Deep Ellum for her head-shot session.  Can you believe Caprice and I have been planning for this day since before Christmas?  We've put so much thought and planning into this session.  The anticipation has really been building up.  I was so excited to wake up this morning - even more excited when the rain clouds drifted away!  

I'm so happy to tell you, Caprice, that all our research, shopping, and hard work totally paid off!  You have yourself an incredible portfolio for your headshots now.  I can't wait for you to see the rest.  

One last thing before I post your pictures.  I have to give a HUGE thank you to my buddy Lawrence who met us down town and showed us around.  I can't wait to see what you got, Lawrence.  Not that Deep Ellum is super dangerous (especially at 8:00 in the morning), but it never hurts to have a big burly guy by your side - especially when you are in unfamiliar territory.  Sure, we photographers have to have an adventurous spirit, but that doesn't mean we should be stupid either.

Okay, I'm sitting on the edge of my seat just waiting to push the "insert image" button so you can see - just a few - of what we were able to create today.  They are AWESOME!  My old trusty camera did just fine today - JUST FINE!  

Here's some of my favorites, Caprice!  You are GORGEOUS!  BTW, these are totally unretouched - she's that stinking beautiful!

Welcome, Dina Marie! {Dina Marie Photography}

I can't tell you how excited I am to introduce you to Dina Marie this morning.  If I was asked to name the person who most inspired and encouraged me in my photography career, it would be Dina - hands down.

I met Dina through my cousin's wife, Stephanie, who sent me a link to Dina's website.  I was so moved by her work that I felt compelled to contact her.  I can't remember exactly what message I left in her comment box, but what I do remember is that she cared enough to take the time to respond.  And she didn't stop there!  She's spent hours on the phone answering my questions.  Her input sparked my passion for photography and gave me the courage to pursue my dreams. 

More than that, the way I conduct myself on this blog is largely due to what Dina has poured into my life.  Because she, and others like her, have given of themselves so unselfishly to me, it is my passion that my blog do the same for you.  My hope is that you learn something new, that you grow (both personally and creatively), and that you are inspired each time you visit.  I may not have all the answers to your questions, but at least I know where to find them!  

Which brings me to today's interview with Dina.

As I mentioned earlier, this past week I polled several of my photographer friends to see what questions they had for Dina.  There were so many questions that Dina and I decided to break the interview up into "bits and pieces".  Today's post will focus on getting to know Dina better.  We'll throw in one or two technical questions today, but will save the bulk of them for later posts.

Please join me in welcoming (from the sunny state of California) Dina Marie from Dina Marie Originals.

(The following interview will be in Question an Answer format.)

Tammy Labuda: When did you first know you wanted to be a professional photographer? How did you get started?  Tell us your story.

Dina Marie: My story...I was working for my father and felt unfulfilled. I got my first camera (sony mavica - lol) about 8 years ago and after having my daughter the "itch" became apparent to me.  It had everything to do with photographing my daughter and feeling in touch with my childhood through her.  I started to really "feel" for the first time in my life.  I mean, I felt this passion and it was undeniable. 

I started out having a friend in Balboa Beach do a photo party for me where I offered sessions for $25 ($25 for 25 shots -- something like that).  I told her if she booked 8 people, she would get a free session and prints.  To this day, she is one of my biggest referrers.  

I have a strong marketing/advertising background so I ran a couple ads knowing that it would take at least 6 months before name recognition. Too many times people get frustrated advertising and not getting calls right away.  If the ad is good and you run it in a good magazine, a 6 month run is really necessary.  

I had postcards made and a small website built.  I look back now and think they looked terrible but then it seemed good and it was a natural start to progress.  Every address collected went into a data base that my husband managed.  I gave cards out everywhere and offered up a lot of free shooting. 

I used every session to learn a new technique. I printed photos out and wrote settings down on them.  I joined forums and looked carefully at techniques of others.  I knew my style had to be my own so I tried mostly to concentrate on how certain looks (depth of field, etc) were achieved. 

A really important part to my "story" is my husband.  He was diagnosed with Multiple Sclerosis 15 years ago and his progression was not looking good.  This career choice was the biggest blessing for our family.  I was able to be home to care for him and work more at my own pace. This really allowed me to "express" emotionally too. Photography became an emotional outpouring for me.

Tammy Labuda:  That emotion really shows in your work, Dina.  It's what draws me back to your site so often.  I think we can get so busy in this industry that we often forget to take the time to dig deep into ourselves and allow that to show through in our work.  Thank you for the reminder.

I want to talk to you more next time about your husband and the various charities you support.  It is inspiring to see how you create something beautiful out of some very challenging situations.  The image below is a perfect example.  Why does this image speak so deeply to you?

Dina Marie: This is my current favorite image.  It is of a girl close to me.  She is my neighbor and is going through so much with parents that are divorcing and a family of 6.  She has opened up to me so many times and we have become really close to the kids through it all.  I feel like I went through so many of the same emotions as a child. Between the chosen perspective, shooting in black and white mode and low light, the photograph makes me identify with a time in my childhood.  I never expressed some of those emotions out loud so just shooting it was like therapy.

Tammy Labuda: That's what I love about you and your work.  The honesty.  The lighting in this image is perhaps my favorite.  It really adds to the emotion - very powerful!

Speaking of family, How do you work to protect yours?  I find that this business demands so much of my time.  How do you balance being a mom, a homemaker, a wife, and a business woman?

Dina Marie: I don't do it well to be honest.  It is one of my many flaws. But I will say this: It took awhile to recognize when to STOP WORKING because I work from home.  I try to schedule my days and calendar very carefully.  I merge both calendars so when I am committing to a client, my family does not get slighted. Just keep a good calendar and don't lose sight of the people who really truly matter.  I don't feel like I can say much more here because I always feel like I am not doing it right!

Tammy Labuda:  Those are good tips, Dina.  I think the hardest part about setting up a calendar is sticking to it.  We could all stand to improve in that area.  I'm pretty certain you are not alone.  You are right though, work comes and goes, but our family is what brings the greatest joy.

And, speaking of JOY...no one captures it quite like you, Dina!  Talk about identifying with your inner child!  These are fabulous.

You have to admit, these two images show how perfectly Dina connects with her inner child during her photo sessions, don't they?  Wouldn't you just love to spend a day with Dina watching her in action - during and after the session?  I know I would.

While that may not be possible, Dina did offer some great advice in her answers to a few technical questions from my fellow photographer friends.  I'll post a few of those today.  We'll save the rest for another post.

Margaret asks: Where do you find your inspiration, for your portraits and for your original artwork?

Dina Marie: Although I love to study other photographer's work, I find my biggest inspiration comes from way down deep inside and is usually based on my inner child.  I find my favorite shots are thought provoking and on the darker side at times.  Reaching deep is what it's all about.  I believe much of our photography should be in a sense, "self portraits".

Courtney asks:  How do you finance your business?  I get this question alot and it seems to really shed light on how people can get started, especially in today's economy.

Dina Marie: Hmm.... This question is so individual.  In the beginning, it was just taking risks and for the most part, spending money we didn't have!!  Now it generates an amazing income so long as it stays steady. There are a lot of factors here.  I am not sure I can properly answer the question.  I purchased equipment slowly and have never had a business line of credit.

Kelly Asks: My biggest frustration is that my pictures never come out as clear, crisp, and with as much dimension as (good) photographers I follow.  They are in focus, but not as crisp.  What tips can you provide for taking sharper pictures?

Dina Marie: There are several factors involved.  I was told long ago to use a depth of field calculator to determine the proper hyperfocal distance. We should all be aware that the optics of lenses have never changed.  Have your eyes glazed over yet? $$@!!*%

Listen, the main causes for lack of sharpness are:

poor focus
camera shake
subject movement
dirty equipment.

Here are some rules to use as guides:
1. Hold your camera well - if you need to, support yourself up against a wall, tree or anything.  If not, just try not to drink too much coffee and grip it with both hands! (i know, i know -- basic!)

2. Shutter speed:  try to select a shutter speed with a denominator that is larger that the focal length of the lens. For example, a lens that is 50 mm in length, don't shoot any slower than 1/60th of a second. For a 100mm lens shoot at 1/125th of a second or faster.

3. Aperture: I love shooting at 2.8 for single subjects but must realize that for groups, unless you are trying to get "artsy", shoot at f/4 and higher.  The larger the number, the more area in focus.

4. iso: 400 is a standard commonly used iso. If you choose a larger iso, you'll be able to use a faster shutter speed and a smaller aperture.  My suggestion here would be to take the same subject (even in your backyard) and shoot it at all different settings to experiment.

5. Focus: the most obvious of all -- watch your focus points in your camera.

6. Using good lenses:  I can not emphasize this one enough.  If you know the basics above, you will notice a massive difference when you have good quality lenses. You must not compromise when you lens shop.  I bought only brand name lenses (for my Canon) with the exception of one Sigma wide angle.  I noticed a huge jump in the clarity for me when I started investing in better glass.

Thank you, Dina!  It was such a pleasure to share you with my readers! I'll leave you all with one final image - a Dina Marie Original.

Isn't this image gorgeous?  If only I could capture light the way she does!  

Here's just a taste of the topics to be covered in my next installment of Dina's interview:

What's in your camera bag?

How do you deal with harsh mid-day sun?

Do you have any tips for getting toddlers and young children to cooperate for the camera?

What's your favorite lens?  Why?

How do you affectively market a client/referral base?

Do you have any tips on pricing structures?

What's the average length of time you spend on a session?

If you have enjoyed today's interview with Dina Marie, be sure to leave her a comment at the end of this post.  

To see more of Dina's work and to read her inspirational blog, stop by and visit her website.  While you're there, be sure to explore her other site within her website, www.dinamarieoriginals.com.  It contains special collections and personal work that Dina is currently working on for various galleries.  

Thank you for visiting with us today!  I will be posting more of my interview with Dina in weeks to come, so stop by often and spread the word.

Dina's Interview: One day delay

So many of you had such great questions for Dina.  She's asked for an additional day to work on her answers.  Please check back Tuesday!

Thanks for your patience.

Monday Mentor Series: Interview #1 - Dina Marie

Several months ago I posted about wanting to interview various accomplished photographers on my blog to share their experience and advice with you, my readers.  I'm excited to announce that the wait is finally over!  This coming Monday I will be interviewing my mentor, inspiring photographer and artist, Dina Marie from Dina Marie Originals.  

Over the past week I've been gathering questions from various photographer friends of mine.  Dina Marie will be on hand to answer some of those questions and offer her advice and inspiration.  The interview will be in Q&A format.  You won't want to miss it!  

In the meantime, I encourage you to view Dina's portfolio and blog at www.dinamariephotography.com to familiarize yourself with her work, accomplishments, and passions.

Have a wonderful Valentine's Day everyone!!!!

You Are Invited to a Matilda Jane Trunk Show and A Free Mini Session Offer

Date:    March 3, 2009

Time:    7-9 p.m.

Place:   My Home (Please email for directions.) 

RSVP:  214-547-9820 or labuda@sbcglobal.net

Remember my recent post where I mentioned I'd been spending quite a bit of time thinking of ways I can earn money to purchase a new camera?  (drumroll please...) THIS is idea #1.

I'd like to personally invite you to attend my Matilda Jane Trunk Show. In appreciation for your Matilda Jane purchase, you will receive a FREE MINI SESSION with me.  

Mini sessions will be held on April 11 and April 25.  

Please email for more information.

What can I say, I absolutely LOVE Matilda Jane clothing.  It's fun, fresh, and creatively hand-crafted.  It's definitely a one-of-a-kind clothing line!  While Matilda Jane is typically thought to outfit only little girls, they do have select preteen, women's, and even boy's clothing available.  These adorable clothes are only available through trunk shows, though, so I'm super excited to be hosting one of my own!!!

If you are not familiar with Matilda Jane, you can check out their website at www.matildajanegirls.com.  Jennifer (my trunk show keeper) gave me permission to post a few more pictures on my blog to give you an idea of what to expect.  

The outfits you see below are from past catalogs.  Their new Spring line comes out March 1st, so we will be among the first to see the new Spring samples.  Prices are comparable to Baby Gap with dresses starting in the $30-$40 range.

 

So, COME...Join me for a glass of wine, some light refreshments, and a night of dress-up!  Feel free to bring a friend - and don't forget to bring your adorable little girls as samples will be available to try on.  

Don't live nearby?  You can still get in on the action.  I'd be happy to send you a catalog if you are interested.

***Free Mini Sessions are limited to those attending the trunk show at my home.  Special print and CD packages are available.  Please feel free to contact me for additional information.

Session Prep: Caprice

Caprice and I have her photo session scheduled a couple weeks from now.  To get ready for the big day, we spent some time at the make-up counter at Kohls for a make-over.  Caprice is one of those natural beauties who really doesn't need to wear make-up, but I suggested she do so for her session - especially since she'll be using several of the images as head-shots to send in to modeling and talent agencies.  

Even if you have great skin, wearing a light foundation during your photo session can really help to even out your skin tones and cover up blemishes - which is particularly helpful for keeping your retouching fees to a minimum.  

In researching head-shots online, I discovered that most models in this area tend to go with a more natural look when submitting their pictures to modeling agencies.  So, my goal in helping Caprice select a foundation was to find one that accentuated her dewy skin and allowed her natural beauty to shine through.  

This meant that powder foundations were out.  We know because the lady above tried to make it work, and it flat-out didn't!  We chose a liquid based foundation instead that really suited Caprice quite well.  

When selecting a foundation choose one that best matches your skin tone.  Always blend well when applying - especially around your hair and neck lines - to keep your look as natural as possible.

  

We chose a plum liner and a more neutral shadow to help bring out the green in her eyes.  I also encouraged Caprice to avoid sparkly blushes and moisturizers (especially under the eyes) as those can appear pixelated in a digital image - not the look we're after.  FYI: digital cameras especially dislike glitter on the face. 

After finding a make-up scheme we were both happy with, we headed to the mall.  Together we perused the racks for wardrobe ideas.  Caprice was sweet enough to include me in on these decisions as she knew I was working on building my teen portfolio as well.  We hit the jack-pot at Forever 21.

All of this is a huge deal for Caprice.  Her life long dream (since she was 5 years old) is to have a career in modeling and acting.  She loves theatre and will attend college in the fall to complete her degree in theatre and arts.  I'm really excited about being able to provide her with head-shots that will help her pursue those dreams.  We'll share a few of those images after her session in a couple weeks.

Random pic: Here's me documenting "me" on a styling session.  I was outside the dressing room waiting for Caprice to come out when I saw my reflection in the mirror.  Thought you might all get a kick out it.

Before I move on to a few more make-up tips, I have to mention how proud of Caprice I was.  She came in with a very specific budget and was so great about sticking to it.  How's that for maturity beyond her years? She's my kind of gal!

Now, back to make-up...An inexpensive place to send your clients for a makeover is the nearest cosmetics counter at your local department store. Most offer free make-overs.  Be sure to ask ahead of time if they are trained in make-up selection and application though.  Our lady at Kohls was NOT, and we ended up wasting much of our morning taking off and reapplying makeup that should never have been selected in the first place.  

Now for a HUGE top-secret scoop:  

Kohls carries the American Beauty and Flirt lines of cosmetics. American Beauty is the lower priced version of Estee Lauder.  Flirt is the lower priced version of MAC.  The formulations of both of these lines are identical to the higher priced counterparts.  The only difference (other than the packaging and the names of the colors) is the price tag.  Why throw money away if you don't have to, right?

With that said, like I alluded to before, Kohls may not have the most experienced make-over personnel - just be sure to ask about their experience before hand.  Remember, if you want a more professional makeover (with someone who can actually guide you to the correct color choices for your skin type), you might consider going to the MAC or Estee Lauder cosmetic counters first.  Once you've settled on your colors, head over to Kohls for the less hefty price tags.  Do so and you'll even have money left over to spend on your wardrobe!

Open Fields

Alden and I had THE BEST day together today.  After running errands and shopping for dresses, we went to the park to play for a little while. She actually asked me to take her picture today!  Of course, I grabbed the opportunity wholeheartedly.

I love these...and I LOVE my little girl!

Update on Me

If it seems things have been slowing down even more on my blog lately, there's good reason.  My son Stephen has been going through some very challenging days these past two weeks.  He's seen three doctors and we've received three different diagnosis for what seems to be dizzy spells that he has occasionally during the day and quite frequently during the night. We are still trying to get to the bottom of what is going on.

I also recently decided to take my daughter out of her Mother's Day Out program.  She's been sick quite a bit lately and is generally just having a difficult time being away from home. Thursday was her last day. 

Little did I know that Stephen would be going through all this scary stuff at the exact same time.  Now, I'm having to scramble to find someone to watch Alden every time we run out to see another doctor with Stephen.  I'm realizing how CHEAP daycare is compared to what babysitters are charging these days.  While I'm tempted to enroll her right back in, I know I have to continue to do what's best for her.  

Thankfully, we are blessed with so many sweet friends who have offered to watch Alden for us these past few days.  God is good.  I'm learning first-hand how everything seems to fall into place when we make the right decisions.  That is true for my personal life, and that is true in my business as well.

You may remember reading a couple posts back that I had decided to scale this blog back a bit anyway - to focus more on family.  It seems my timing for that decision was perfect.  While it came before Stephen Jr. started having these "episodes" and before I decided to take Alden out of day care, I now know it couldn't have been a more inspired decision.

That certainly doesn't mean that I don't still feel very drawn to this blog and to all of you who check in from time to time.  Even with everything going on at home I still think about blogging and my business ALL the time.  

So, what do I think about when it comes to my business?  What random deep thoughts do I entertain throughout the day?  I know you're just itching to know, so I thought I'd share a few of those deep thoughts with you today.  

1.  I have a Love/Hate relationship with my commitment NOT to buy camera equipment unless I can pay for it with money I've earned through my own photography business.  

I LOVE it, because it may be the best advice Terry ever taught us in our classes.  Too many photographers get themselves into major financial trouble buying all sorts of gear that they end up never even using.

Terry encouraged us to stick with what we have, make that work, and get out there and make money with the equipment we have already before purchasing additional gear.  "Don't buy it unless you can buy it with money earned from your business," he would say.  It really is wise advice.

Now, to those of you just starting out.  Of course there will be an initial investment that you will need to make just to get started.  You may very well have to make some sacrifices just to get to the point where you can start making money.  Even so, I encourage you to sit down and figure out the least amount of equipment needed to get started - the bare bones so to say. 

You'll need a good camera, a computer, editing software, at least one good lens, and quite possibly some professional training.  If you'd like some input on all that, please, feel free to contact me.

Now...on to what I HATE about that conviction of mine.  I hate it because I REALLY want a new camera - especially after all the research I've done.  A new camera will significantly expand my creative potential, and it's hard for me to wait for that. 

It's also hard for me to see other photographers upgrading to their new cameras knowing that it may very well be a while before I can get my hands on one of my own.  I have this silly fear that I'm going to fall behind.  Thankfully, I snap out of that nonsense and come to my senses long enough to realize that I am doing pretty darn good with what I do have!  I have more than enough to get me to where I need to be.  That little dose of sanity keeps me from pulling out my credit card and placing a premature order on Amazon.  

In the meantime, I've decided that I should use this time to master the basics - like how to use my current camera for sports and action photography.  And, boy, after that swim meet today I now know just how much I have to learn.  The way I see it, if I can learn every thing there is to learn about my current camera, the transition to a new one will be that much smoother - and the result that much more impressive.

There's still many more thoughts to cover, so let's move on:

2. In light of #1, I spend quite a bit of time dreaming up marketing strategies to make money (in ways that take the least amount of time away from my family) so I CAN buy that new camera.  I just might spring some of those on you in the next week or two...

3. To Photoshop or not to Photoshop?  That is the question.  In looking at other photographer's blogs and websites recently, I've noticed that I have only skimmed the surface in what Photoshop can do.  I see all these cool textures, overlays, and techniques and I think to myself, "Man, do I have a lot to learn!"  Or, do I?

While I love the creative options these various techniques offer, I'm not all that convinced they are for me.  I compare my work to some of these other techniques and I'm beginning to think that I rather prefer my relatively unPhotoshopped look.  It has become what defines me as a photographer.  It's very much my style.  And, I LIKE it!  There's a simplicity, cleanness, and purity to my work that couples beautifully with the honest expressions and emotions on the faces of my clients.  

Here's my conclusion and advice on the matter: Unless you can incorporate these techniques and actions into your personal style, then don't spend the money.  Just because everyone else is doing it, doesn't mean YOU need to do it.  Take time to define your style.  Determine what it is that makes you unique and different.  If an action, overlay or photoshop technique will enhance that style and help to develop that style, then go for it.  But, by all means, stay true to who you are. 

With that said, I still want to play around with some of those techniques and try to learn more about what my current Photoshop software has to offer.  There's so much fun stuff to learn.  And, in learning new things, you often discover something about yourself that you never knew before.  I never even used to know how to shoot manually.  Just look at the creative doors that has opened up for me!

4.  To that end, my goal this year is to start thinking outside the box - creatively speaking.  What is it that intimidates me about the photography industry?  It's time to overcome those fears.  It's time to dip my toes into the water and learn how to swim.  I have in my mind at least one major goal for this year.  Come rain or shine, I WILL make progress - and my portfolio will show it.

5. I've also been thinking lately that I hope I am not letting down a few of my friends who check my blog for tips and lessons.  I'm hoping that they will still check in on me - even if I am posting fewer and fewer pictures from recent sessions and only blogging once a week.  It's still very much on my heart to mentor and teach people.  It may seem that I am mostly only offering photography tips, but deep in my heart it is really about encouraging and equipping others to reach their dreams.  

Do I worry that maybe I am creating my own competition by teaching you what I know?  Only when my husband suggests that it might happen.  Maybe I am.  Even so, I care to think about it this way:  In equipping others to be their best, I in turn will only grow stronger myself.   When I hear about your passion for photography, it makes me a better photographer.  It causes my passion to grow.  When I see you master a new technique, your progress in turn inspires me to reach my own goals.  

I really hope that spirit comes across.

Before I sign off, there's one last deep thought I'd like to share with you. And, it's a Big One:

6.  It is my goal to make my passion for my faith and family a higher priority than my passion for photography.  I can get so engrossed in this business of mine that I find it occupying my thoughts and time more than I care to admit.  I want my heart to have that same passion for my family.  I love them, I truly do, but if I'm honest I have to admit my actions don't always speak those words.  All too often I've chosen time with my computer over time with my husband and children.

Sure, as long as I am in business, I will HAVE to spend some time, but my goal is to get to a point where my heart pulls me toward my family - NOT toward my photography - no matter how passionate I am about it or how good for me the creative outlet is.   I want my loved ones to occupy my thoughts and dreams.  Dreaming about and investing in my business are all wonderful things, but not if it means my family has to wait around for me to make time for them.

Maybe this was more information than you needed.  I share it in the hopes it will help you establish healthy boundaries in your own business and personal lives.  Passions are wonderful, but balance is key.  Terry warned us several times in class that he knows several cases where Photoshop was the cause of a failed marriage.  Don't let it happen to you.  

Until next week...Stay Grounded.  Spend Wisely.  Dream Big.  Conquer Fears.  Love Well.

Color or Black and White?

How do you decide whether to process, print, order, or upload an image in color or black & white?  When showing your clients their proofs, should you show each and every image in both color and black & white, or should you hand select just a few as examples?  Will all images look good converted to black & white?  Are there secrets to making your black & white images more dramatic?

Have you ever asked yourself these questions?  If you have, you are not alone.  I'll attempt to answer a few of these questions in today's post.  

To a degree, whether or not an image looks better in color or black & white is a matter of personal opinion.  Just like some people prefer modern furniture over more traditional decor, your taste will largely dictate the answer to this question.  

Black & white images tend to have a nostalgic and almost timeless feel. At first glance a black & white image gives you the impression the image was taken in another era.  So, if you are going for a more timeless affect, black & white may be the choice for you.

Some argue that the absence of color also frees the viewer to focus more on the subject matter and the emotion being portrayed.  Others will argue that an image's color is what brings the subject to life.  What do I say? It depends on the image.  To illustrate this I'll show you an example where color works best and then an example where black & white clearly wins out.

While, this is adorable in black & white, you can't help but feel that something is missing. 

Ah, that's much better!   

A color image needs lots of primary colors to make it pop.  In this image above the red of the little girl's lips, the green of the backdrop and in her sparkling eyes, the yellow of the squirt gun, and the blue of the trigger all play along with each other to breathe life and energy into the image.  

With this much going for it as a color image, it would be a shame to print it any other way (in my opinion). This image is all about a little girl having some care-free fun in the sun on a gorgeous, sun-shiny, summer day.  That feeling was completely lost in the black & white version above.  

In this next image, there's too much going on color-wise.  The busy colors overwhelm the senses and take away from the expression on the children's faces.  In color, the shadows that give this image such great dimension are underplayed and lose their dramatic affect.   

Unlike the image above, where the color emphasized and complimented the little girl's energy and enthusiasm, the color in this image seems to be at war with the calm, serious demeanor of the three siblings.  Taking away that visual conflict allows the image to tell the story - the children's eyes and facial expression now demand your full attention and completely draw you in.  The shadows become more evident and add much needed depth and dimension to the image.

So, now that you understand that not all pictures work well in a black & white format, you will understand why I do NOT show my clients every picture from their session in color AND black & white.  Instead, I only highlight the ones that have "the wow factor" once converted to black & white - giving them just a few examples so they know what other creative options are available to them.  

In addition, when a client asks me if they can see a particular file in black & white I also try to warm them before I show them the conversion that not every image works well in that format.  If it does not, then I explain to them why.

What makes a black & white image a success then?  Several things, but first and foremost there must be a wide range of tonality.  If an image contains both light tones, medium tones, and dark tones, it has a better chance of being a successful black & white image. Without a high range of tones, the image will appear flat.  

Black & white images also look best in high contrast situations.  Look for dramatic lighting with deep shadows and bright highlights.  Just make sure to expose properly so you don't lose details in those shadows and highlights.  Underexposing an image causes a loss of detail in the shadows.  Overexposing an image causes a loss of detail in the highlights.  

Sure, you can "fix" the exposure post-process, but you can't regain information that wasn't there to begin with.  The best black and white images have well-defined detail even in the darkest of shadows and the brightest of highlights.  That's why a proper exposure is so key!

Also, keep in mind that tones are different than colors.  A pastel blue falls in the lighter tonal range.  Navy blue falls into the darker tonal range. Yet, bright colors do NOT mean they are darker in tone.  Take these two pictures as an example.  Pay close attention to the bright neon nail polish.

The nails are what catch your eye in the color version!

They all but disappear in the Black and White.  

This is the perfect example to show your clients.  Bright colors may not provide the punch they're after once the image is converted to black & white.

If you know your client wants a black and white family portrait, but they don't all have the same "color" shirt, simply advise them to pick colors from the same tonal range instead.  Navy and black will look very similar in tonal range once converted to a black & white image.  If you tell them to all where the same color, you can end up with a wide range of tones that can really distract from the faces in a group portrait.  

Here's how it works.  Imagine a picture of a fair skinned child wearing a light hued t-shirt sitting on a faded concrete sidewalk under an overcast sky.  This scenario will most likely NOT make for a great black & white image.  The tonal range is almost non-existent.  Everything is grey and dreary.  All the colors and tones blend together to make an undefined portrait that lacks contrast, interest, and drama.  

In contrast, if you put a dark skinned child on that same lighter toned sidewalk the image is suddenly full of tonal range.  The contrast between the darker tones of the child's skin and the lighter tones of the grey sidewalk introduce shape and form to the image.  Dramatic lighting that casts well-placed shadows or sparkles of light to your image have a similar affect.

This brings me to the last tip.  By paying close attention to the shapes and forms in your image,  and being diligent to include both, you can significantly improve the success of your image.  Learn to imagine the scene before you as if it were black and white already.  Are there enough geometrical elements to make the image work?  Are there enough different tones to make each element in your image distinct from one another?  If you are drawn to the color in a scene, imagine it with the color removed.  Will the scene still work? These are questions to ask yourself (especially in nature photography) when seeking out your next black & white masterpiece.

Now, if you are still struggling with whether or not your image looks better in color or black and white, do what Terry suggests.  Make two 8x10 prints of the same image - one color and one black & white.  Hang both prints on a wall next to each other where you will see it frequently throughout the day.  Whichever one you get tired of looking at first is not the one for you.  Take it off the wall.  The one left hanging is the one you put on your website.  It's the one you show your client.  It's the one that works - for you.  After all, it is still a personal opinion.

I'll leave with two images from a recent session (actually an impromptu session within a session -  if you want to get technical).  

Meet Michael - a very cool guy.  You tell me.  Which one do you like better?  The color image, or the black & white?  Why?